Il Pirata’s 1998 Bianchi: The Elusive Stallion

Marco Pantani destroys the field on the Galibier of the 1998 Tour de France.

In 1998, Marco Pantani staged one of the most prestigious coups of cycling by winning the Giro-Tour double. He made this run aboard what I believe to be the most beautiful bike in history, a Celeste steed with a yellow section of frame starting at the seat collar and spreading out down the tops of the seatstays, top tube, and seat tube.

Very little is actually known about this bike; it was a one-off creation made especially for Il Pirata by the Bianchi Reparto Corse division which makes all the top-end bikes for the company.  Some say the frame is aluminum, others claim it was boron. The frame undeniably used a compact geometry (this is commonplace now, but it was unique in '98), but whether the top tube sloped up or down seems to be a point of contention: did the top but slope up to give a longer head tube to bring his bars up to accommodate his unique in-the-drops climbing style or was the top tube sloped down towards the seat tube in order to reduce the weight of the frame and increase the stiffness of the rear triangle?

The bike has captured my imagination for a long time. I love the way the saddle and tires match the portion of the frame where they intersect in what I call the “Yellow Cluster”; the vision of Pantani climbing out of the saddle on the Col du Galibier with those flashes of yellow swaying back and forth as he danced up the mountain remains one of the coolest images of cycling. I studied his bike extensively when I was building my Bianchi XL EV2 and I mimicked it's setup, choosing a yellow Flite saddle and solid yellow tires. To this day I love the looks of that bike, and Pantani's setup has even influenced one or two of The Rules.

I've searched the net over for information on his bike, hoping that at some point someone would find and catalog it for the world. Occasionally, there will be an article posted somewhere that covers the bike, but each of these has ended up a disappointment as upon closer inspection, it is revealed that the bike is not in fact his tour-winning bike.

I did, however, find one article on Campy Only which appears to showcase the real deal. It comes from an account by a fan at a post-tour criterium in 1998 where Pantani made an appearance:

Here you have the pictures of Pantani's bike. Note that he is using tubulars on his Electron wheels, even for this small race. He seems to love this bike. In the Giro he used the normal team bike on the flat stages, but since the mountains he has not been apart from this ultralight “hillclimber” (except for time trials). I think the weight is about 7 kilos, but is is of course a very small bike.

The use of a downtube lever and the modified Ergo lever is a funny detail. It is very unusual these days to see homemade stuff like this on a pro's bike, and he even won the two major tours on it–it's a classic bike, this one!

[dmalbum path=”/velominati.com/content/Photo Galleries/frank@velominati.com/Pantani Bike/”/]

Recently on CyclingNews.com, they did a Retro Bike review of Pantani's 1998 ride, reportedly stored at the Bianchi museum. I was thrilled and dove into the photos, looking for answers to questions I probably didn't know I had. Unfortunately, closer inspection revealed a host of problems with the bike; I am sad to report that this is not in fact Pantani's bike, and in all likelihood did not even exist in 1998. It appears to be nothing more than the Bianchi team replica frame clumsily loaded with a 1999 Campy Record 9-speed groupo. The items that give this fact away are: non-compact geometry, carbon Ergo levers, no front down tube shifter (and accompanying left-side Ergo lever with guts removed), black and yellow tires (instead of his solid yellow tubulars), and silver Time mag pedals (he rode red ones in 1999). This could possibly be a late-season racer or a 1999 trainer, but in any case, it is not his 1998 Giro-Tour winning magical steed. Since it appears his real bike eludes even the Bianchi museum, my only hope is that he kept it for himself and it resides somewhere in the Pantani estate.

[dmalbum path=”/velominati.com/content/Photo Galleries/frank@velominati.com/Pantani Replica/”/]

frank

The founder of Velominati and curator of The Rules, Frank was born in the Dutch colonies of Minnesota. His boundless physical talents are carefully canceled out by his equally boundless enthusiasm for drinking. Coffee, beer, wine, if it’s in a container, he will enjoy it, a lot of it. He currently lives in Seattle. He loves riding in the rain and scheduling visits with the Man with the Hammer just to be reminded of the privilege it is to feel completely depleted. He holds down a technology job the description of which no-one really understands and his interests outside of Cycling and drinking are Cycling and drinking. As devoted aesthete, the only thing more important to him than riding a bike well is looking good doing it. Frank is co-author along with the other Keepers of the Cog of the popular book, The Rules, The Way of the Cycling Disciple and also writes a monthly column for the magazine, Cyclist. He is also currently working on the first follow-up to The Rules, tentatively entitled The Hardmen. Email him directly at rouleur@velominati.com.

View Comments

  • @Dan O
    Thanks!

    I really can't think of a cooler-looking rider than him in 1998. The bandanna, the Brikos, goatee, the bike, the kit, the whole package was just so cool. And, to top it off, the Yellow Jersey looked like it was custom-made to match his kit. I'm all for black shorts, but that look was just too damn cool.

  • @john
    Yeah, James is a rock star, and he's been super cool about the feedback. That's the way it should be; no one is right all the time, but being open to getting info and feeback is what makes it feel like they care about their readers. He mentioned he's working on another retro-bike write-up. Can't wait.

    I agree regarding the results; at this point, I don't care if it was all jet-fueled. It was a level playing field and there was really no more exciting racing than in 1998. From the classics to the Giro to the Tour and onwards, it was just awesome.

  • Huang is a muppet. And that post on the alleged Pantani bike just confirms it. If you could spot all those indiscrepancies Frank, then he should've too.

    His 'reviews' are nothing but cliche-riddled re-hashs of manufacturers press releases.

    If he was a "rock star", he'd be in Nickelback or Creed...

  • Having said that, writing reviews is fucking tedious and difficult to make sound interesting.

    I just reviewed a bike and had to tone down my criticisms, because the companies pay for advertising, and advertising pays for the mags/websites. So that's why reviews generally pander to the manufacturers; plus how many ways can you re-word "vertically compliant, laterally stiff"?

  • @brett
    Where do I start? These two comments are worth their own post.

    "How many ways can you re-word "vertically compliant, laterally stiff?". Brilliant. How about, "Comfortable and doesn't suck"? Incidentally, in a tangential relationship back to this post, my EV2 was obviously designed for a 125 pound Italian climber, and not a big fat Dutchman. Although I love that bike, it climbs like a pile of spaghetti under my immense weight and formidable power.

    Nickelback or Creed. Jesus, I haven't thought of those idiots in a long time. I believe it was Marko that pointed out to me that Creed was just a Christian Rock band. I had never noticed that until that day.

    In Huang's defense, as retro bike geeks, we go right to the pictures and just reference the article to fill in whatever gaps the pictures leave; his ability to write is irrelevant. When's the last time you read the article and then looked at the pictures? Retro Bike articles are like Playboy.

  • @frank and Brett

    Dave Groll's imitation of Scott Stapp's Arms Wide Open is worth a listen. Very funny.

  • @brett
    A muppet? That can't be good. I'll leave it alone. What I like about "the Muppet" is when he is inspecting the bikes with camera before, say, Paris-Roubaix and putting out great detailed photos and text of bike set-ups. I don't read his reviews much as I can't afford all the expensive shiet he is reviewing.

    Now I can't wait to call someone a muppet...

  • Don't get me wrong John, I love looking at the cool stuff as much if not more than anyone, and would love to be able to get where he does to see that stuff. But his reviews are full of what we call "Huang-isms", cliches and bleedin obvious statements that tell us nothing. As I said though, it's not easy writing that stuff, and I'm glad it's him and not me trying to come up with fresh Huang-isms every article.

  • @brett

    His reviews are full of what we call "Huang-isms", cliches and bleedin obvious statements that tell us nothing.

    Beautiful. I'm learning something every day. Can I work that into my vocabulary? I will endeavor to.

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